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Due North

by Tim Kilpin

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1.
MOST LIKELY TO She was voted most studious, was a compliment, I guess He was voted most likely to succeed, he had everything he didn’t need She had his picture up on her mirror, right next to the one of me, I hear She was always good at calculus Because she figured out how to have both of us Oh, turn the page Oh, come of age She signed my yearbook, said forever will I love you But baby, I figured out forever was a month or two Now the years go by like lightning And baby what do you do When you’re the one right on that page Voted most likely to… I wasn’t voted anything at all, couldn’t even catch a basketball I signed a couple of yearbooks too, and I moved on without a clue Now I live in what’s like another universe When I look back, it could’ve been much worse If they were doing yearbook pages today I’d be voted most likely just to be okay Oh, turn the page Oh, come of age…
2.
KODAKS & CRAYONS Yesterday they were just babies Tonight they’re heading out of town I couldn’t wrap my arms around them tight enough Couldn’t slow this whole thing down Put it in a scrapbook Bind it up with glue I might hold onto the moment But I lost hold of you Kodaks and crayons, push-ups and slip-ons Sunburns and summer breeze Road trips and runways, slow sleepy Sundays And crooked old Christmas trees I gather up the snapshots And fight to remember But it slips away too easily Kodaks and crayons Someday they’ll be all gone When these moments fade to memories In this room, in the dark of the night I drive away the gloom With your memory’s light
3.
LONELY (LIKE FRIDAY NIGHT) She had tattoos in places I couldn’t see One night a long time ago, she told me She said boy, if you ever find them You’ll have won my heart I never saw no ink, now we’re a thousand miles apart I had a job, put me on the road I’d wake up in the morning In another town I didn’t know She told me she was tired of always sleeping alone I knew because she told me On my windshield, there was a note (And I’m) lonely like Friday night (I’m) cutting out like a broken taillight (I’m) staggered like a drunk who lost the fight (I’m) lonely like Friday night She could’ve called me, she didn’t call I could’ve searched, but I hit my wall I thought I’d look her up again in the Fall She’d moved from that house, and that was all That was all I knew her back in high school We were never really friends I’d tell her a joke by her locker, every now and then I heard she’d had some trouble Let down by other men I wonder if I could stop by Tell her a few jokes again (And I’m) lonely like Friday night…
4.
Roll On 03:28
ROLL ON So I heard that old song on the radio And girl, you know it took me right back To that rambling road climbing up the Rockies And a night that was falling starry and black And you promised that the city would be kind to us You were sure that it would all just be okay And all those miles in between Our treasures and our dreams Came flooding back when that song began to play So we counted our blessings and we counted the stars And we counted out our money too As the stations faded in and out, Couldn’t always tell what they were singing about But these were words we already knew As the sun rose over New Mexico And I dug up the strength to go And while you slept, I just sang that song to you (It went) Roll on, roll on my road I’m putting away my winter coat Roll on, roll on my road This journey is long But I packed enough songs To last us a lifetime Living where we belong So roll on, roll on my road
5.
Orion's Belt 04:07
ORION’S BELT Just like the stars on Orion’s belt You shine so bright but you’re so far away And all those secrets of yours I kept What they mean to anyone now I can’t say So I ponder the mysteries the night sky holds Wondering if I could navigate by the stars But, baby, I never could have been so bold To think we were anything but light years apart There’s no art in missing you There’s no science to this desire You may think that I stayed cool But I’m on fire Just like the contrails of those jets Drifting apart into aimless clouds I lose the thread of our conversation Too busy fighting my fears down So I ponder the promise the sunrise brings To help figure these changes out But I must admit, this time it stings As your signal once again cuts out There’s no art in missing you There’s no science to this desire There’s no guessing who’s the fool We both know who’s the liar There’s no art in missing you There’s no science in this desire You may think that I stayed cool But I’m on fire
6.
Wandawega 04:17
WANDAWEGA She hung a sliver of a moon up in the Western sky Filled the field with fireflies Knew it’d be a big surprise When I pulled up the drive Sun still fading, the horizon glowed Tom Petty singing on the radio I wonder if she even could’ve known Tonight I’d feel so alive There goes the summer, there goes the sun I’ll carry the memories, till this long road’s been run We played old Dylan songs as the bonfire rose We’d forget the words, nobody knows Or cares about all the paths we chose That brought us here There are things you’ll forget when you’re growing old Stories’ll slip away without being told I promise these songs’ll keep you warm when the nights get cold And crystal clear There goes the summer, there goes the sun I’ll carry the memories, till this long road’s been run The rain will come, and clear the skies But that bonfire burns, when I close my eyes And I’m driving that dark summer road Taking me home
7.
BORDER COLLIE I feel the changes coming like a dog sniffing the rain Like weather in my limbs, shifting with the pain The Advil barely blunts the fast-onrushing train And I’m just running the fence line I slip between the cracks on Madison Avenue I push against the wind, but my boots are thick with glue Buzzing on my belt tells me I got more to do And I’m just running the fence line Oh, I’m rounding them up Oh, I’m getting them in line I got plenty of projects, but I’m out of time My scars are aching from the coming of the rain Wind comes up, pounds against the pane And all I can do is pull against my chain I’m just running the fence line Oh, I’m chasing the leaves As they blow from side to side I got plenty of anger You couldn’t stop me if you tried In my heart, it’s a hurricane In my chest, a crashing plane I can’t see, for all the debris, the line of twisters in front of me And I wake with a start Drawing blood, breathing hard It might just be another nightmare But I’m on guard… I’m just running the fence line…
8.
Due North 02:45
DUE NORTH Sometimes it seems like the map kind of lies to you As you’re looking to get your bearings straight And the world you know feels like it’s cut its ties to you Suddenly you’re running late Well, I never had no problem with directions before I just simply changed course I’m going due north Maybe it’s new perspective, or a sign of the times And you sense a change on the wind Maybe you noticed that you’ve been drifting over the line And that line’s gotten pretty thin Well, I never turned away from a windy day I’d just bundle up and go forth Due north If you’re running, running away If you’re trying to save face Dawn’s breaking on another day Calling you to a new place Well, I see you see standing there across the way Your bag and your ticket in hand And the laughter in your eyes just seems to say It’s our time now to make a stand Well, I never thought we’d be facing this direction again But I face it with no remorse We’re going due north
9.
GHOSTS BEHIND THE WHEEL It was 40 years ago or so On a cold dark autumn night Blew through the sign doing 60 Back then there was no light They had to rebuild him So they could have an open casket Crazy not to know why But I was too afraid to ask it Coming off vacation, boulevard along the beach Shaking off the sand, home just out of reach She just made Director, she just turned 41 She didn’t see it coming, the setting of the sun In the aftermath, a trail of blood and steel Now I drive that stretch to see ghosts behind the wheel There’s nights I whisper to the stars and look out on the street Sirens in the distance make my heart skip a beat They’re older now and out there, can’t control it anymore Waking from a dream, patrolman at my door In the aftermath, a trail of bone and steel I can’t stare down those ghosts behind the wheel
10.
BETTY OR VERONICA ________________________________________________________________ Betty or Veronica, Ginger or Mary Ann You ask me to make a choice; well, I don’t think I can You say, tell me, is she pretty? What kind of question is that? You might as well have asked me Does this blouse make me look fat? I only see you I only see you Well, he must own a gym or something He lifts a lot of weights War veteran, pilot, flight suit How does he get a date? I’m thinking he’s an asshole, I’m guessing he’s not too bright At least that’s what I tell myself Watching the girls go in at night Do you only see me? Do you only see me? Well, I love how you’re no stranger in the dark Your touch, your smell, your breathing in the night We can just be watching TV, there’s a spark No astronaut, no Veronica You and me, we’re just right
11.
GIBSON IN THE CLOSET A pile of postcards, tickets stubs and bills Leftover candy, prescriptions unfilled Fingerprints and shadows are what’s left of you here now So why can’t I just sweep you out? I could admit that I miss your noise And the quiet just suits me fine I could tell you don’t bring ‘round those boys But then I’d just be lying A couple thousand photographs, I’ll never digitize And still, they’re like medicine to these tired eyes You left behind your Gibson, you left behind your strings Cold in the closet, it still sings I could drink a toast to your health And the fair wind that carried you away This is how I measure my wealth By the memories I’m left to replay Rivers will run, tides will go out Sunsets will die, behind broken clouds And I will be here You will forget, so many things But that Gibson is here, I’m tuning the strings I will be here You never need to wonder, you can take it on faith We’ll be here worrying, it’s just our place And that will never ever change And you never need a reason, to make your way back home Whatever road you’re riding, you’ll never be alone And that will never ever change
12.
LAST TRACK, SIDE TWO It’s a statement of purpose Defiance, desperation You’d better get your hands up Embrace it; this is your nation Coming down now, at long last To the end of the road Did it feel like a final chapter Did your story hold? I know this sound, this winding down This is music I’ve known and played Better end it with a big bang I’m not a fan of the long fade You can stand up and say goodbye You can ride off with your head held high I’m a nostalgia act, an old throwback And I’m running out the groove You’re not fooling me We’ve got to be At the last track, side two Thorn Tree in the Garden Cowgirl in the Sand Nineteen Hundred and Eighty-five Purple Rain, Jungleland A Day in the Life, Train in Vain Love Me Like a Rock Darkness on the Edge of Town You Can’t Always Get What You Want When the Levee Breaks, Harmony Everybody I Love You Won’t Get Fooled Again, Ooh La La It’s All Over Now, Baby Blue You can stand up…

credits

released March 7, 2016

DUE NORTH
Tim Kilpin

Recorded at home, Hermosa Beach, CA – 2014-2015.
All instruments and vocals by Tim Kilpin.
Except all Drums, once again, by the incomparable Joel Taylor (www.joel-taylor.com).
With thanks for additional vocals on ‘Lonely,’ ‘Gibson,’ and ‘Last Track’ by Lorie Doswell, Christina Fadale, Gillian Hunt, and Chris Roy.

Mixed by Rich Breen. Check him out at: www.dogmaticsound.com.

Mastered by Dave Collins. Check him out at: www.collinsaudio.com.

Art Direction by Leanne Tucker. Check her out at: www.moderncharme.com.

All songs written by Tim Kilpin.
Graydon Avenue Publishing (ASCAP).
© and (P) 2016 Graydon Avenue. All Rights Reserved.

Thanks To:
• Johnnie Valentino, for (always) sound advice, and help getting those extra vocals.

• The Toys: Ned Ward, Richie Weintraub, Felix Holst, Johanna Kent, Steve LaBella, Stephen Hallaian, Michael Heralda, Gillian Hunt, James Brittain, Scott Page-Pagter, Christina Fadale, Lorie Doswell, and Chris Roy. It’s been an honor to play alongside you all.

• Leanne Tucker, for awesome art direction a second time around.

• Tereasa Surratt and David Hernandez, the insanely talented proprietors of Camp Wandawega (you HAVE to check it out: www.wandawega.com). Your Wisconsin home inspired us to reclaim our Wisconsin home.

• Carol Lynch for 19 years of treasured friendship and perspective. And for spotting great song titles well before they’ve become songs…

• (And of course) Heidi, Jordan, Natsuki, Pete, and Olivia.

For you gearheads:
Recorded via Apogee Quartet to ProTools 10.
Keyboards: Roland RD-700SX.
Electric Guitars: a few Telecasters, a wonderful Custom Shop Strat, an old Gibson SG, and a nice, shiny Rick 360.
Acoustic Guitars: Gibson Hummingbird and J-200, Taylor 6- and 12-strings, and a very old but well-loved 1977 Yamaha.
Bass: Fender Precision.

It's free, so please donate instead to:
• Mychal’s Learning Place: Visit them @ www.mychals.org
• Make-A-Wish Foundation International: Visit them @ www.worldwish.org

Please also listen to:
• Fighting the Full Moon (2013); timkilpin.bandcamp.com.

The candy was Pete’s; the Gibson was Jordan’s.

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Tim Kilpin Los Angeles, California

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